The Rugier Journal

Memphis m'a sauvé du beige

Memphis saved me from beige.

At art school, I had a teacher who told me Miami Vice was a shitty kitsch reference. It was said with the tone of someone who thinks they're doing you...

Memphis saved me from beige.

At art school, I had a teacher who told me Miami Vice was a shitty kitsch reference. It was said with the tone of someone who thinks they're doing you...

Le tapis beige est une décision. Pas une absence de décision.

The beige carpet is a decision. Not a lack of decision.

There's a widespread idea that choosing a neutral rug is a non-choice. A way to keep options open, to not offend anyone, to ensure it will go with anything. Beige...

The beige carpet is a decision. Not a lack of decision.

There's a widespread idea that choosing a neutral rug is a non-choice. A way to keep options open, to not offend anyone, to ensure it will go with anything. Beige...

Quelle taille de tapis pour un salon ?

What size rug for a living room?

Basic rule: a rug should create a common territory. In a classic living room (sofa + armchairs + coffee table), the rug should ideally extend under the front legs of...

What size rug for a living room?

Basic rule: a rug should create a common territory. In a classic living room (sofa + armchairs + coffee table), the rug should ideally extend under the front legs of...

Le modernisme brésilien, comment la courbe est devenue une structure

Brazilian Modernism: How the Curve Became a Structure

There's a quote from Oscar Niemeyer in his memoirs that sums it all up: "I don't like straight lines. I am attracted to curves that spread freely and sensually. These...

Brazilian Modernism: How the Curve Became a Structure

There's a quote from Oscar Niemeyer in his memoirs that sums it all up: "I don't like straight lines. I am attracted to curves that spread freely and sensually. These...

De Stijl, la conviction que la géométrie peut tout

De Stijl, the conviction that geometry can do anything

In 1917, in the Netherlands, a neutral country in the middle of a Europe at war, a group of artists and architects decided that the post-war world would have to...

De Stijl, the conviction that geometry can do anything

In 1917, in the Netherlands, a neutral country in the middle of a Europe at war, a group of artists and architects decided that the post-war world would have to...

Bridget Riley et l'Op Art : quand la peinture agit sur le corps

Bridget Riley and Op Art: When Painting Affects the Body

In 1965, New York's Museum of Modern Art organized an exhibition entitled The Responsive Eye. The title was a program. The art presented there was not meant to be looked...

Bridget Riley and Op Art: When Painting Affects the Body

In 1965, New York's Museum of Modern Art organized an exhibition entitled The Responsive Eye. The title was a program. The art presented there was not meant to be looked...